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Northfork
êêê (Rated PG 13 for brief sexuality)
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Reviewed By Vittorio J. Carli
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Director: Michael Polish
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James Woods
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Daryl Hannah
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Nick Nolte
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Anthony Edwards
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Peter Coyote
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"Northfolk" is a surreal and eerily beautiful film about a small town that is undergoing development. Teams of aggressive government agents use different tactics to get the locals to willingly relocate.
Some of the inhabitants in the town may be angels or they may believe they're angels. Some of these angel characters may not even exist.
Sinister men in black are sent out by the government to evacuate a small town for redevelopment. The men try to get the property through charm, strong-arming, guile, and intimidation. If an agent clears out sixty-five homes he will receive acres of free land, but if they relocate any less than that they will get nothing
Some of the men present themselves as angels that will help a religious couple escape catastrophe. There is also a sick boy that is supposed to be adopted. When a couple refuses to take him because of his failing health, a priest says that he is an angel.
A quartet of garishly dressed people in one of the homes is looking for a mysterious, unknown angel. The quartet is composed of the gender bending Flower Hercules, the grouchy Cup of Tea, the silent Cod, and the cheerful amputee Happy.
As the town ends, the viewer is left with an overwhelming sense of loss. The film has a conventional plot but it is a series of interrelated gorgeous moments that interact thematically.
"Northfork" is the last film in a trilogy made by the cult favorite writer/producer team, the Polish brothers. All three of the films are named after towns. "Twin Falls Idaho" was a critical and commercial success but the follow-up; "Jackpot" was a financial bust.
Mark Polish is like a kinder, gentler David Lynch or a sunnier Darren Aronofsky. He lacks the postmodern angst and nihilism that you find in many of the other newer indy directors such as Harmony Korine.
"Northfork" takes place in Montana in 1955, and it was really shot in Montana. This elegiac film deals with the issue of the real costs of urban development, the same theme that was masterfully explored in Robert Altman's "McCabe and Mrs. Miller," and John Sayle's " Sunshine State"
The film is obscure, haunting, and alluring, but it is not completely satisfying. Some of the images are among the most haunting of the year, but the whole thing doesn't always jell or add up. However, the Polish brothers show considerable potential, and they may yet deliver a masterpiece.
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